Category Collecting Community

Canada’s Own Comics: a WECA database

Today is the launch day of our modest attempt to set up an online database of Canadian comic books from the WECA period (1941-46), better known to collectors as The Canadian Whites, at canadasowncomics.com. We were approached early on in our project to avoid the difficulty of creating an online index of these comics from scratch and simply upload our information to the Grand Comics Database. However, we felt it of utmost importance that the first real indexing of these comics be based in Canada. I’m sure that the information we put up there (and remember that this is the first real setting down of comprehensive data about a unique, rare, and arcane set of comic books) will often have holes and need amendment and tweaking, but this first effort is important. I’m sure that a lot of our information will be mined by sites such as the Grand Comics Database, I just hope that whoever ends up using our findings as published material will link back to our site or, at least, credit their find appropriately.
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Toronto Comic Book Show Report

On July 6th I had the opportunity to attend the Toronto Comic Book Show (TCBS) for the first time. This was the second TCBS after its inaugural show in May. You won’t see any cosplay or signings at TCBS—the show’s organizers are 100% focused on serving those who just want to get their hands on books (both raw and graded). The admission person I spoke with said they expected over 400 people throughout the day. While that’s a far cry from some of the bigger Toronto shows or US shows, it’s a pretty respectable number considering TCBS is a collector-first show.
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FECA

For this column I’ve chosen to step outside of my normal mandate and talk a little about that period that came after the WECA Period (Robin Hood Comics Vol. 1 No. 1 and Better Comics Vol. 1 No. 1 in…

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Nelvana

Because it's Canada Day week I want to do a bit of a more involved special column about the figurehead of the Canadian Whites this time--Nelvana. This mini-skirted, semi-mortal, maid of the Arctic skies has firmly become the totem (the chosen emblem) of the Canadian war-time comics.
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Jodhpur Jockeys

The WECA period had its share of capes, masks, and tights, but the most common heroic habit for the super-styled Canadian crime-fighter of the period was far more reserved fashion statement. This was the simple combination of jodhpurs and riding boots with a variety of top halfs.
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Name-It Comics

By the time Name-It Comics came out, Maple Leaf’s first title, and Canada’s first comic book, Better Comics had already had eight issues out and its second title, Lucky Comics (at that time known as “Union Jack – Lucky Comics”) had had half that. The other title that came out concurrently with Name-It Comics was Bing Bang Comics with its lead and cover feature being the adolescent, Denis the Menace type of trouble maker, Pinky.
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Comics as Emotional Assets

In a recent Financial Analysts Journal article authors Elroy Dimson and Christophe Spaenjers provide an excellent analysis of the historical performance of artwork, stamps, and antique violins. The authors label these collectibles “emotional assets.” No, the authors did not include comic books in their study. However, the article offered a few interesting insights that apply to us comic book collectors.
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Bus Griffiths

  On the front cover of Canada’s first comic book, Better Comics No. 1 (March, 1941), Vancouver’s Maple Leaf Publications chooses a stylized maple leaf containing the words “Canada’s Own” to be its logo. These words broadcast the mission mandate…

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Undervalued Spotlight #203

Daredevil #53, Marvel Comics, (June 1969). When I think of Daredevil comics to invest in I usually don’t go back to the sixties in my search. The Daredevil we know now was really born, like the X-Men in the bronze age of comics. The Black Widow team-ups, Death Stalker (formerly, The Exterminator), Bullseye, Elektra, and the Kingpin weren’t part of his life back then. Neither was Frank Miller...
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Clayton Dexter

Few people know, however, that Clayton Dexter is a pseudonym for Howard Buchanan Cowan; thanks to Howard’s son Glen for this information and other biographical details. He was born in 1918 in Toronto to a well-known Dentist Father, William A. Cowan, who practiced on Bloor Street. Howard received some art training at Humberside College and after graduating in 1939 wanted to pursue further art studies but received no support from his father who seemed not to see much of a future in this and ideally wanted his son to become a dentist.
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Joseph Hillenbrand

I’ve already discussed the work of Sid Barron, one of Educational Projects main artists, elsewhere and in this post I’d like to look at another, Joseph Hillenbrand, even though there is little information available about him apart from the comic book work he left behind.
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