Sleepy Censor #13

Ahhh. Archie comics in the 1960’s. The success of the Archie comics over the years had brought forth a number of spin-off titles to help satiate the hungry consumer’s need for wholesome, good-hearted family fun. And of course, what better way than to poke light at the romance between Betty and Archie.

Sleepy Censor #12

I’m not really sure if much needs to be said about this cover. Most of the reactions from anyone who sees this comic is: “What the heck’s Alf doin’ to that seal?!”

Sleepy Censors #11

No Sleepy Censor series would be complete without the classic Rifleman “Woody” cover from the good wholesome people at Dell Publishing

Sleepy Censors #10

Ka Zar of the Savage Land was sort of a cross between Tarzan and Conan. He was fighting savage beasts with his trusty Sabretooth cat Zabu in almost every issue that

Sleepy Censors #9

This comic has become a cult classic. The “Pearl Necklace” issue always sells for multiples of guide at the conventions and on

Sleepy Censor #8

DC used many sexually provocative covers during this era, especially on titles starring female characters...

Sleepy Censor #7

Though officially listed as Rich Buckler art, most of this comic was actually drawn by Canadian Vince Marchesano

Sleepy Censor #6

Though not a comic book we just had to include this issue in our Sleepy Censor segment

Sleepy Censor #5

Superman’s Girlfriend Lois Lane #120, DC Comics, March 1972. The cover goes beyond sexuality and dives quite deep into perversion and sadism

Sleepy Censor #4

Hold it! Just hold it! I’m sorry but that looks like one giant

Sleepy Censor #3

Brave and the Bold #184, Page 8, Panel 5. This is a harmless enough looking issue. On the cover you have Batman raging against his dead parents...

Sleepy Censors #2

In the mid 1950s the U.S. Senate forced comic book publishers to adhere to the guidelines of a Comic Code Authority. The ‘Code’ was brought in to protect America’s youth from what was then deemed disturbingly graphic and blatantly sexual

Sleepy Censors #1

In the mid 1950s the U.S. Senate forced comic book publishers to adhere to the guidelines of a Comic Code Authority. The ‘Code’ was brought in to protect America’s youth from what was then deemed disturbingly graphic and blatantly sexual content in comic books