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Dylan Routledge

Dylan is the Assistant Manager for Big B Comics Hamilton. In his spare time he loves to talk, read, and write about all things comic book related.

Joshua Williamson

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week.  Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their…

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Roger Stern

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week.  Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their…

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Brian Azzarello

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their…

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Dan Slott

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week.  Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their…

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Gail Simone

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Gail Simone.
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Mark Waid

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Mark Waid.
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Brian K. Vaughan

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Brian K. Vaughn.
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John Ostrander

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: John Ostrander.
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Warren Ellis

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Warren Ellis.
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Marv Wolfman

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Marv Wolfman.
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Scott Snyder

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Scott Snyder.
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Peter David

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Peter David.
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Kelly Sue DeConnick

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Kelly Sue DeConnick.
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James Robinson

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: James Robinson.
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Jonathan Hickman

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Jonathan Hickman.
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Kurt Busiek

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work. Kurt Busiek is this week's writer as we take a look at the work he’s done with the biggest heroes within the DCU.
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Kyle Higgins

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work: Kyle Higgins.
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Frank Miller

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work. The one and only Frank Miller is this week’s featured writer, as we glimpse at his unique style of crime stories for superhero books.
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Grant Morrison

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work. Grant Morrison is in the spotlight this week, with a look at his work with DC’s Man Of Steel.
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Garth Ennis

52 weeks. 52 different writers. 2 trade paperbacks or hardcovers a week. Each week I’ll take a look at a different writer and read two different collected editions from within that person’s repertoire to help in the examination of their work. Garth Ennis takes center stage this week, bringing along his violent and twisted nature with him.
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