Comic book collectors have, in a stark mercenary fashion, transformed the old adage “You can’t judge a book by its cover” into “You can value a comic book by its cover”. This assertion doesn’t carry with it any aesthetic or…
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The Top Ten WECA Covers A recent movement that has risen to the surface in comic book collecting seems to be a focus on impactful covers—especially impactful golden age covers. This focus can, of course, overlap with other collecting strains…
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It’s hard to contradict the axiom that comic book collecting these days is character driven. In this piece, I’d like to focus on a few WECA period artists who maybe should be more collectible just for the quality of their…
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Comic book art runs the rainbow spectrum from realistic, to semi-realistic, to surrealistic, each time the metaphor getting stronger. In the surrealistic “toons” the world is populated by caricature humanoids and/or anthropomorphic fauna (‘funny animals”). Each of the four WECA publishers, except Educational Projects, had features that fell somewhere on the surrealistic end of this continuum.
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Brok Windsor was a relatively late comer to the WECA period. He debuted in Canada’s West Coast Publisher’s (Maple Leaf’ Publications) Better Comics Vol. 3 NO. 3 from April/May 1944, just over half-way through this Golden Age of Canadian Comics. Brok…
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