Jacking Up The Price

When it comes to action figures, there are popular figures and there are "highly sought after figures". And most times, the popular figures are not the ones that die-hard collector's want. We want the hard to find and obscure characters.

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How I Got My Job (A Series): Cary Nord

Being a passionate fan of comics, it is only natural to dream and hope that one day you could possibly work in/with them.

Well, I might not work in comics, but I do live in a city that allows me to meet and be friends with people who are. My next couple of articles will be a series of interviews with people who work in the comic industry focusing on how they got into the positions they are in today. These people include artists, writers, retailers, editors etc.

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Arcs & Runs #2 | Fantastic Four 44-51

This instalment of Arcs & Runs will look at the most important run of comics in the silver age IMO. DC Showcase (revival of super-heroes - new Flash and Green Lantern) and The Amazing Spider-Man, both receive and deserve a lot of consideration as the most important run of the silver age. Spider-Man is easily the most popular character to emerge from the 60’s; however he may not have even happened if it weren’t for a comic called the Fantastic Four.

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Whites Mystery Artist

In doing my ongoing research into Canadian war time comics, I recently came across this Toronto Star article about a Whites artist named Michael (Bud) Riled who seems to have created a female jungle heroine called "Terena of the Jungle." It even has a quote from Peter Berkemoe, owner of The Beguiling about the period of The Whites.

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To CGC or Not to CGC?

This is always a hot topic among collectors and dealers alike. Now, I have resisted writing this column because of the heat that goes along with the debate. Nowadays it seems very difficult to have a serious debate about anything, because of the highly charged state of political correctness. But what the heck, here goes.

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Marvel Now, Continuity, and What If?

However, the more I think about Marvel Now the more I feel that success (or lack thereof) is mostly owed to these unique interpretations. When I talk with fans at conventions or comic book shops they either love or hate what is going on in Marvel Now. And I think that is primarily due to the fact that the concepts behind Marvel Now are all or nothing; you either love them or or hate them because they are What If? stories.

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Bill Speed

John Stables (most often signing his work Jon St. Ables) has always been amongst the most appreciated of the WECA artists and his name is consistently placed at the head of lists of those artists best representative of the excellent, professional quality of Canadian war-time comic art whenever the artistic output of the Canadian Whites is brought into question. He was inducted into the Shuster Hall of Fame in 2006 and the write up with the induction by Robert Pincombe and Peter Hansen supplies you with the necessary details of his life and career.

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